"Translating a scene..."

Christiane Körner, born in 1962, discovered Dostoyevski when she read Camus’s The Myth of Sisyphus as a young woman. It awakened a curiosity about the Russian language within her. After studying Slavic Studies, she went to Moscow in the early 1990s as a DAAD teacher. Her relationship to Russia was ambivalent. She felt at home emotionally, but felt the violence that pervaded Russian society. Christiane Körner began to explore the literature of her new environment, which she felt to be so contradictory, through translation. Since then, she has translated a wide range of different voices into German: from avant-garde writers like Pawel Salzman to post-modern writers like Tatyana Tolstaya, Pavel Zaltsman, Dmitri Prigov and Vladimir Sorokin. It was important to her to translate texts which dealt with the Second World War. Russia’s full-scale invasion of Ukraine eighty years after the German invasion of the Soviet Union, using the "fight against fascism" as a twisted pretext, has also deeply shaken her professional self-image.

Gabriele Leupold was born in 1954 into a displaced family: her father originally came from Silesia, her mother from East Prussia. She grew up in Rhineland-Palatinate with the feeling that “real life is happening somewhere else”. She read Dostoyevsky as a teenager and wanted to study psychology. But then she turned to Slavic Studies. When she travelled to the USSR for the first time in the early 1970s, she was impressed by the size of the country and the variety of worlds. She made friends, also with dissidents. As a student she already began translating challenging works of literature. From the beginning, she had a love for authors who “consist of language”. Ossip Mandelstam’s “Conversation about Dante”, translated together with Wolfgang Beilenhoff, was one of her first publications. Today, we can read Andrei Bely, Andrei Platonov and Varlam Shalamov in Gabriele Leupold’s translation. She likes building bridges between people. Shortly before reunification, she founded the “Berliner Russischgruppe” with others. The group is still active and is an important place of exchange between translators of different generations.

Rosemarie Tietze, born in 1944 in the Black Forest, didn't know her father – “he never came back from Russia”, went missing in action during the war. That is likely the biographical reason why she dedicated herself to Russian, says Rosemarie Tietze. In 1969, she travelled to Moscow for the first time for a longer period and met people who helped her discover this fascinating new world. Her desire to convey this world grew quickly, but she had to fight for a long time before the authors so close to her heart could be published in her translation. This had not least to do with the Cold War and the divided Germany. The most important contemporary author for Rosemarie Tietze is Andrei Bitov, whose work she introduced to the German public. We can also read Tolstoy and Pushkin today in her retranslations. In addition to her work as a literary translator, Tietze was an early advocate for the guild. That the Deutscher Übersetzerfonds (German Tranlators' Fund) exists today is largely due to her initiative and commitment.

Ganna-Maria Braungardt was born into a family of actors in Crimmitschau in 1956, but never wanted to become an actress herself. She went to the USSR, studied Slavic studies and was hired as an editor for Soviet literature at the Volk und Welt publishing house in 1984. "A dream job," she recalls today. Soon Ganna began translating as well: The editor and translator Thomas Reschke arranged the younger colleague's first translation assignments and showed her solidarity as a mentor. When reunification meant that everyone at the publishing house was laid off, Ganna didn't want to give up her profession. Now she was also the one who helped the older GDR colleagues adapt to the new working conditions as a mentor. Ganna-Maria Braungardt made a name for herself as a translator from Russian. She has translated, among others, Svetlana Alexeyevich and Lyudmila Ulitskaya. Since Russia's invasion of Ukraine, she sees her work as even more important: "We are no less in demand today, indeed we are perhaps even more in demand as mediators," she said on 29.03.22 on WDR Kultur.

Aljonna Möckel was born in Moscow, the child of Erwin Johannes Bach, a German anti-fascist Musicologist of Jewish descent. The Holocaust, and a life in exile between Stalin and Hilter, the Siege of Leningrad, the war, all left their tragic traces in the family history. In 1947, her parents returned to Berlin. After studying Slavic Studies and Romance Studies in Jena, Aljonna started work for the publisher “Volk und Welt” as an editor of Soviet literature. In 1966, her disabled son Dan was born. This forced her to quit her job and try to make it as a freelance translator in the GDR. She enjoyed translating texts which describe fantasy worlds: children’s books and science fiction. In March 1989, she took part in the legendary German-German translation workshop in Straelen. After reunification, she wrote fantasy novels together with her husband, Romanticist Klaus Möckel, under the pseudonym Nikolaj Bachnow.